W.B.Yeats - THE CIRCUS ANIMALS

LAST POEMS

THE CIRCUS ANIMALS' DESERTION

I
I SOUGHT a theme and sought for it in vain,
I sought it daily for six weeks or so.
Maybe at last, being but a broken man,
I must be satisfied with my heart, although
Winter and summer till old age began
My circus animals were all on show,
Those stilted boys, that burnished chariot,
Lion and woman and the Lord knows what.

II
What can I but enumerate old themes?
First that sea-rider Oisin led by the nose
Through three enchanted islands, allegorical dreams,
Vain gaiety, vain battle, vain repose,
Themes of the embittered heart, or so it seems,
That might adorn old songs or courtly shows;
But what cared I that set him on to ride,
I, starved for the bosom of his faery bride?

And then a counter-truth filled out its play,
'The Countess Cathleen' was the name I gave it;
She, pity-crazed, had given her soul away,
But masterful Heaven had intervened to save it.
I thought my dear must her own soul destroy,
So did fanaticism and hate enslave it,
And this brought forth a dream and soon enough
This dream itself had all my thought and love.

And when the Fool and Blind Man stole the bread
Cuchulain fought the ungovernable sea;
Heart-mysteries there, and yet when all is said
It was the dream itself enchanted me:
Character isolated by a deed
To engross the present and dominate memory.
players and painted stage took all my love,
And not those things that they were emblems of.

III
Those masterful images because complete
Grew in pure mind, but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder's gone,
I must lie down where all the ladders start
In the foul rag-and-bone shop of the heart.

W.B.Yeats - A NATIVITY

LAST POEMS

A NATIVITY

WHAT woman hugs her infant there?
Another star has shot an ear.

What made the drapery glisten so?
Not a man but Delacroix.

What made the ceiling waterproof?
Landor's tarpaulin on the roof

What brushes fly and moth aside?
Irving and his plume of pride.

What hurries out the knave and dolt?
Talma and his thunderbolt.

Why is the woman terror-struck?
Can there be mercy in that look?

W.B.Yeats - THE MAN AND THE ECHO

LAST POEMS

THE MAN AND THE ECHO

i{Man.} IN a cleft that's christened Alt
Under broken stone I halt
At the bottom of a pit
That broad noon has never lit,
And shout a secret to the stone.
All that I have said and done,
Now that I am old and ill,
Turns into a question till
I lie awake night after night
And never get the answers right.
Did that play of mine send out
Certain men the English shot?
Did words of mine put too great strain
On that woman's reeling brain?
Could my spoken words have checked
That whereby a house lay wrecked?
And all seems evil until I
Sleepless would lie down and die.

i{Echo.} Lie down and die.

i{Man.} That were to shirk
The spiritual intellect's great work,
And shirk it in vain. There is no release
In a bodkin or disease,
Nor can there be work so great
As that which cleans man's dirty slate.
While man can still his body keep
Wine or love drug him to sleep,
Waking he thanks the Lord that he
Has body and its stupidity,
But body gone he sleeps no more,
And till his intellect grows sure
That all's arranged in one clear view,
pursues the thoughts that I pursue,
Then stands in judgment on his soul,
And, all work done, dismisses all
Out of intellect and sight
And sinks at last into the night.

i{Echo.} Into the night.

i{Man.} O rocky voice,
Shall we in that great night rejoice?
What do we know but that we face
One another in this place?
But hush, for I have lost the theme,
Its joy or night-seem but a dream;
Up there some hawk or owl has struck,
Dropping out of sky or rock,
A stricken rabbit is crying out,
And its cry distracts my thought.

W.B.Yeats - THE APPARITIONS

LAST POEMS

THE APPARITIONS

BECAUSE there is safety in derision
I talked about an apparition,
I took no trouble to convince,
Or seem plausible to a man of sense.
Distrustful of that popular eye
Whether it be bold or sly.
i{Fifteen apparitions have I seen;}
i{The worst a coat upon a coat-hanger.}

I have found nothing half so good
As my long-planned half solitude,
Where I can sit up half the night
With some friend that has the wit
Not to allow his looks to tell
When I am unintelligible.
i{Fifteen apparitions have I seen;}
i{The worst a coat upon a coat-hanger.}

When a man grows old his joy
Grows more deep day after day,
His empty heart is full at length,
But he has need of all that strength
Because of the increasing Night
That opens her mystery and fright.
i{Fifteen apparitions have I seen;}
i{The worst a coat upon a coat-hanger.}

W.B.Yeats - HIGH TALK

LAST POEMS

HIGH TALK

PROCESSIONS that lack high stilts have nothing that catches the eye.
What if my great-granddad had a pair that were twenty foot high,
And mine were but fifteen foot, no modern Stalks upon higher,
Some rogue of the world stole them to patch up a fence or a fire.

Because piebald ponies, led bears, caged lions, make but poor shows,
Because children demand Daddy-long-legs upon This timber toes,
Because women in the upper storeys demand a face at the pane,
That patching old heels they may shriek, I take to chisel and plane.

Malachi Stilt-Jack am I, whatever I learned has run wild,
From collar to collar, from stilt to stilt, from father to child.

All metaphor, Malachi, stilts and all. A barnacle goose
Far up in the stretches of night; night splits and the dawn breaks loose;
I, through the terrible novelty of light, stalk on, stalk on;
Those great sea-horses bare their teeth and laugh at the dawn.

W.B.Yeats - JOHN KINSELLA'S

LAST POEMS

JOHN KINSELLA'S LAMENT FOR MRS. MARY MOORE

I
A BLOODY and a sudden end,
Gunshot or a noose,
For Death who takes what man would keep,
Or leaves what man would lose.
He might have had my sister,
My cousins by the score,
But nothing satisfied the old fool
But my dear Mary Moore,
None other knows what pleasures man
At table or in bed.
What shall I do for pretty girls
Now my old bawd is dead?

II
Though stiffer at a bargain,
That any old Jew man,
Her bargain struck we laughed and talked
And emptied many a can;
And O! but she had stories,
Though not for the priest's ear,
To keep the soul of man alive
And banish age and care,
And being old she put a skin
On everything she said.
What shall I do for pretty girls
Now my old bawd is dead?


I have heard it said in chapel
That but for Adam's sin
Eden's Garden should still be there
And I be there within.
No expectation fails there,
No pleasing habit ends,
No man grows old, no girl grows cold
But friend still walks by friend;
No quarrels over ha'pence there
They pluck the trees for bread?
What shall I do for pretty girls
Now my old bawd is dead?

W.B.Yeats - HOUND VOICE

LAST POEMS

HOUND VOICE

BECAUSE we love bare hills and stunted trees
And were the last to choose the settled ground,
Its boredom of the desk or of the spade, because
So many years companioned by a hound,
Our voices carry; and though slumber-bound,
Some few half wake and half renew their choice,
Give tongue, proclaim their hidden name -- 'hound voice.'

The women that I picked spoke sweet and low
And yet gave tongue. 'Hound voices' were they all.
We picked each other from afar and knew
What hour of terror comes to test the soul,
And in that terror's name obeyed the call,
And understood, what none have understood,
Those images that waken in the blood.

Some day we shall get up before the dawn
And find our ancient hounds before the door,
And wide awake know that the hunt is on;
Stumbling upon the blood-dark track once more,
Then stumbling to the kill beside the shore;
Then cleaning out and bandaging of wounds,
And chants of victory amid the encircling hounds.

W.B.Yeats - A STICK OF INCENSE

LAST POEMS

A STICK OF INCENSE

Whence did all that fury come?
From empty tomb or Virgin womb?
Saint Joseph thought the world would melt
But liked the way his finger smelt.

W.B.Yeats - A BRONZE HEAD

LAST POEMS

A BRONZE HEAD

HERE at right of the entrance this bronze head,
Human, superhuman, a bird's round eye,
Everything else withered and mummy-dead.
What great tomb-haunter sweeps the distant sky
(Something may linger there though all else die;)
And finds there nothing to make its terror less
i{Hysterica passio} of its own emptiness?

No dark tomb-haunter once; her form all full
As though with magnanimity of light,
Yet a most gentle woman; who can tell
Which of her forms has shown her substance right?
Or maybe substance can be composite,
profound McTaggart thought so, and in a breath
A mouthful held the extreme of life and death.

But even at the starting-post, all sleek and new,
I saw the wildness in her and I thought
A vision of terror that it must live through
Had shattered her soul. Propinquity had brought
Imagination to that pitch where it casts out
All that is not itself: I had grown wild
And wandered murmuring everywhere, 'My child, my child! '

Or else I thought her supernatural;
As though a sterner eye looked through her eye
On this foul world in its decline and fall;
On gangling stocks grown great, great stocks run dry,
Ancestral pearls all pitched into a sty,
Heroic reverie mocked by clown and knave,
And wondered what was left for massacre to save.

W.B.Yeats - LONG-LEGGED FLY

LAST POEMS

LONG-LEGGED FLY

THAT civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.

Like a long-legged fly upon the stream
His mind moves upon silence.

That the topless towers be burnt
And men recall that face,
Move most gently if move you must
In this lonely place.
She thinks, part woman, three parts a child,
That nobody looks; her feet
Practise a tinker shuffle
Picked up on a street.

Like a long-legged fly upon the stream
Her mind moves upon silence.

That girls at puberty may find
The first Adam in their thought,
Shut the door of the Pope's chapel,
Keep those children out.
There on that scaffolding reclines
Michael Angelo.
With no more sound than the mice make
His hand moves to and fro.

Like a long-legged fly upon the stream
His mind moves upon silence.

W.B.Yeats - NEWS FOR THE DELPHIC

NEW POEMS

NEWS FOR THE DELPHIC ORACLE

I
THERE all the golden codgers lay,
There the silver dew,
And the great water sighed for love,
And the wind sighed too.
Man-picker Niamh leant and sighed
By Oisin on the grass;
There sighed amid his choir of love
Tall Pythagoras.
Plotinus came and looked about,
The salt-flakes on his breast,
And having stretched and yawned awhile
Lay sighing like the rest.

II
Straddling each a dolphin's back
And steadied by a fin,
Those Innocents re-live their death,
Their wounds open again.
The ecstatic waters laugh because
Their cries are sweet and strange,
Through their ancestral patterns dance,
And the brute dolphins plunge
Until, in some cliff-sheltered bay
Where wades the choir of love
Proffering its sacred laurel crowns,
They pitch their burdens off.

III
Slim adolescence that a nymph has stripped,
Peleus on Thetis stares.
Her limbs are delicate as an eyelid,
Love has blinded him with tears;
But Thetis' belly listens.
Down the mountain walls
From where pan's cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.

W.B.YEATS - THE STATUES

LAST POEMS

THE STATUES

PYTHAGORAS planned it. Why did the people stare?
His numbers, though they moved or seemed to move
In marble or in bronze, lacked character.
But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough,
And pressed at midnight in some public place
Live lips upon a plummet-measured face.

No! Greater than Pythagoras, for the men
That with a mallet or a chisel' modelled these
Calculations that look but casual flesh, put down
All Asiatic vague immensities,
And not the banks of oars that swam upon
The many-headed foam at Salamis.
Europe put off that foam when Phidias
Gave women dreams and dreams their looking-glass.

One image crossed the many-headed, sat
Under the tropic shade, grew round and slow,
No Hamlet thin from eating flies, a fat
Dreamer of the Middle Ages. Empty eyeballs knew
That knowledge increases unreality, that
Mirror on mirror mirrored is all the show.
When gong and conch declare the hour to bless
Grimalkin crawls to Buddha's emptiness.

When Pearse summoned Cuchulain to his side.
What stalked through the post Office? What intellect,
What calculation, number, measurement, replied?
We Irish, born into that ancient sect
But thrown upon this filthy modern tide
And by its formless spawning fury wrecked,
Climb to our proper dark, that we may trace
The lineaments of a plummet-measured face.

W.B.Yeats - IN TARA'S HALLS

NEW POEMS

IN TARA'S HALLS

A MAN I praise that once in Tara's Halls
Said to the woman on his knees, 'Lie still.
My hundredth year is at an end. I think
That something is about to happen, I think
That the adventure of old age begins.
To many women I have said, "Lie still,"
And given everything a woman needs,
A roof, good clothes, passion, love perhaps,
But never asked for love; should I ask that,
I shall be old indeed.'

Thereon the king
Went to the Sacred House and stood between
The golden plough and harrow and spoke aloud
That all attendants and the casual crowd might hear.
'God I have loved, but should I ask return
Of God or woman, the time were come to die.'

He bade, his hundred and first year at end,
Diggers and carpenters make grave and coffin;
Saw that the grave was deep, the coffin sound,
Summoned the generations of his house,
Lay in the coffin, stopped his breath and died.

W.B.Yeats - THREE MARCHING SONGS

LAST POEMS

THREE MARCHING SONGS

I
REMEMBER all those renowned generations,
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cavern, crevice, or hole,
Defending Ireland's soul.

Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
All that is finished, let it fade.

Remember all those renowned generations,
Remember all that have sunk in their blood,
Remember all that have died on the scaffold,
Remember all that have fled, that have stood,
Stood, took death like a tune
On an old,tambourine.

Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
And all that's finished, let it fade.

Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O'Donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell,
All the renown that fell.

Be still, be still, what can be said?
My father sang that song,
but time amends old wrong,
And all that's finished, let it fade.

II
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.

What marches through the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.

We know what rascal might has defiled,
The lofty innocence that it has slain,
Were we not born in the peasant's cot
Where men forgive if the belly gain?
More dread the life that we live,
How can the mind forgive?

What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.

What if there's nothing up there at the top?
Where are the captains that govern mankind?
What tears down a tree that has nothing within it?
A blast of the wind, O a marching wind,
March wind, and any old tune.
March, march, and how does it run?

What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.


III
Grandfather sang it under the gallows:
'Hear, gentlemen, ladies, and all mankind:
Money is good and a girl might be better,
But good strong blows are delights to the mind.'
There, standing on the cart,
He sang it from his heart.

Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.

'A girl I had, but she followed another,
Money I had, and it went in the night,
Strong drink I had, and it brought me to sorrow,
But a good strong cause and blows are delight.'
All there caught up the tune:
'On, on, my darling man.'

Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.

'Money is good and a girl might be better,
No matter what happens and who takes the fall,
But a good strong cause' -- the rope gave a jerk there,
No more sang he, for his throat was too small;
But he kicked before he died,
He did it out of pride.

Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.

W.B.Yeats - CUCHULAIN COMFORTED

LAST POEMS

CUCHULAIN COMFORTED

A MAN that had six mortal wounds, a man
Violent and famous, strode among the dead;
Eyes stared out of the branches and were gone.

Then certain Shrouds that muttered head to head
Came and were gone. He leant upon a tree
As though to meditate on wounds and blood.

A Shroud that seemed to have authority
Among those bird-like things came, and let fall
A bundle of linen. Shrouds by two and three

Came creeping up because the man was still.
And thereupon that linen-carrier said:
'Your life can grow much sweeter if you will

'Obey our ancient rule and make a shroud;
Mainly because of what we only know
The rattle of those arms makes us afraid.

'We thread the needles' eyes, and all we do
All must together do.' That done, the man
Took up the nearest and began to sew.

'Now must we sing and sing the best we can,
But first you must be told our character:
Convicted cowards all, by kindred slain

'Or driven from home and left to die in fear.'
They sang, but had nor human tunes nor words,
Though all was done in common as before;

They had changed their throats and had the throats of birds.

W.B.Yeats - THE BLACK TOWER

LAST POEMS

THE BLACK TOWER

SAY that the men of the old black tower,
Though they but feed as the goatherd feeds,
Their money spent, their wine gone sour,
Lack nothing that a soldier needs,
That all are oath-bound men:
Those banners come not in.

i{There in the tomb stand the dead upright,}
i{But winds come up from the shore:}
i{They shake when the winds roar,}
i{Old bones upon the mountain shake.}

Those banners come to bribe or threaten,
Or whisper that a man's a fool
Who, when his own right king's forgotten,
Cares what king sets up his rule.
If he died long ago
Why do you dread us so?

i{There in the tomb drops the faint moonlight,}
i{But wind comes up from the shore:}
i{They shake when the winds roar,}
i{Old bones upon the mountain shake.}

The tower's old cook that must climb and clamber
Catching small birds in the dew of the morn
When we hale men lie stretched in slumber
Swears that he hears the king's great horn.
But he's a lying hound:
Stand we on guard oath-bound!

i{There in the tomb the dark grows blacker,}
i{But wind comes up from the shore:}
i{They shake when the winds roar,}
i{Old bones upon the mountain shake.}

W.B.Yeats - THREE SONGS TO THE ONE

LAST POEMS

THREE SONGS TO THE ONE BURDEN

THE Roaring Tinker if you like,
But Mannion is my name,
And I beat up the common sort
And think it is no shame.
The common breeds the common,
A lout begets a lout,
So when I take on half a score
I knock their heads about.

i{From mountain to mountain ride the fierce horsemen.}

All Mannions come from Manannan,
Though rich on every shore
He never lay behind four walls
He had such character,
Nor ever made an iron red
Nor soldered pot or pan;
His roaring and his ranting
Best please a wandering man.

i{From mountain to mountain ride the fierce horsemen.}

Could Crazy Jane put off old age
And ranting time renew,
Could that old god rise up again
We'd drink a can or two,
And out and lay our leadership
On country and on town,
Throw likely couples into bed
And knock the others down.

i{From mountain to mountain ride the fierce horsemen.}

II
My name is Henry Middleton,
I have a small demesne,
A small forgotten house that's set
On a storm-bitten green.
I scrub its floors and make my bed,
I cook and change my plate,
The post and garden-boy alone
Have keys to my old gate.

i{From mountain to mountain ride the fierce horsemen.}

Though I have locked my gate on them,
I pity all the young,
I know what devil's trade they learn
From those they live among,
Their drink, their pitch-and-toss by day,
Their robbery by night;
The wisdom of the people's gone,
How can the young go straight?

i{From mountain to mountain ride the fierce horsemen.}

When every Sunday afternoon
On the Green Lands I walk
And wear a coat in fashion.
Memories of the talk
Of henwives and of queer old men
Brace me and make me strong;
There's not a pilot on the perch
Knows I have lived so long.

i{From mountain to mountain ride the fierce horsemen.}

III
Come gather round me, players all:
Come praise Nineteen-Sixteen,
Those from the pit and gallery
Or from the painted scene
That fought in the Post Office
Or round the City Hall,
praise every man that came again,
Praise every man that fell.

i{From mountain to mountain ride the fierce horsemen.}

Who was the first man shot that day?
The player Connolly,
Close to the City Hall he died;
Carriage and voice had he;
He lacked those years that go with skill,
But later might have been
A famous, a brilliant figure
Before the painted scene.

i{From mountain to mountain ride the fierce horsemen.}

Some had no thought of victory
But had gone out to die
That Ireland's mind be greater,
Her heart mount up on high;
And yet who knows what's yet to come?
For Patrick Pearse had said
That in every generation
Must Ireland's blood be shed.

i{From mountain to mountain ride the fierce horsemen.}

W.B.Yeats - UNDER BEN BULBEN

LAST POEMS

UNDER BEN BULBEN

I
SWEAR by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.

Here s the gist of what they mean.

II
Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but thrust their buried men
Back in the human mind again.

III
You that Mitchel's prayer have heard,
'Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.

IV
Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.

Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler Phidias wrought.

Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.

Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.

Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.

V
Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.

VI
Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.
No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life, on death.
Horseman, pass by!

W.B.Yeats - ARE YOU CONTENT?

NEW POEMS

ARE YOU CONTENT?

I CALL on those that call me son,
Grandson, or great-grandson,
On uncles, aunts, great-uncles or great-aunts,
To judge what I have done.
Have I, that put it into words,
Spoilt what old loins have sent?
Eyes spiritualised by death can judge,
I cannot, but I am not content.

He that in Sligo at Drumcliff
Set up the old stone Cross,
That red-headed rector in County Down,
A good man on a horse,
Sandymount Corbets, that notable man
Old William Pollexfen,
The smuggler Middleton, Butlers far back,
Half legendary men.

Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.

W.B.Yeats - THE MUNICIPAL GALLERY

NEW POEMS

THE MUNICIPAL GALLERY REVISITED

I
AROUND me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;

II
An Abbot or Archbishop with an upraised hand
Blessing the Tricolour. 'This is not,' I say,
'The dead Ireland of my youth, but an Ireland
The poets have imagined, terrible and gay.'
Before a woman's portrait suddenly I stand,
Beautiful and gentle in her Venetian way.
I met her all but fifty years ago
For twenty minutes in some studio.

III
Heart-smitten with emotion I Sink down,
My heart recovering with covered eyes;
Wherever I had looked I had looked upon
My permanent or impermanent images:
Augusta Gregory's son; her sister's son,
Hugh Lane, 'onlie begetter' of all these;
Hazel Lavery living and dying, that tale
As though some ballad-singer had sung it all;

IV
Mancini's portrait of Augusta Gregory,
'Greatest since Rembrandt,' according to John Synge;
A great ebullient portrait certainly;
But where is the brush that could show anything
Of all that pride and that humility?
And I am in despair that time may bring
Approved patterns of women or of men
But not that selfsame excellence again.

V
My mediaeval knees lack health until they bend,
But in that woman, in that household where
Honour had lived so long, all lacking found.
Childless I thought, 'My children may find here
Deep-rooted things,' but never foresaw its end,
And now that end has come I have not wept;
No fox can foul the lair the badger swept --

VI
(An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought
All that we did, all that we said or sang
Must come from contact with the soil, from that
Contact everything Antaeus-like grew strong.
We three alone in modern times had brought
Everything down to that sole test again,
Dream of the noble and the beggar-man.

VII
And here's John Synge himself, that rooted man,
'Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends,
And say my glory was I had such friends.

W.B.Yeats - THOSE IMAGES

NEW POEMS

THOSE IMAGES

WHAT if I bade you leave
The cavern of the mind?
There's better exercise
In the sunlight and wind.

I never bade you go
To Moscow or to Rome.
Renounce that drudgery,
Call the Muses home.

Seek those images
That constitute the wild,
The lion and the virgin,
The harlot and the child.

Find in middle air
An eagle on the wing,
Recognise the five
That make the Muses sing.

W.B.Yeats - THE SPIRIT MEDIUM

NEW POEMS

THE SPIRIT MEDIUM

POETRY, music, I have loved, and yet
Because of those new dead
That come into my soul and escape
Confusion of the bed,
Or those begotten or unbegotten
Perning in a band,
I bend my body to the spade
Or grope with a dirty hand.

Or those begotten or unbegotten,
For I would not recall
Some that being unbegotten
Are not individual,
But copy some one action,
Moulding it of dust or sand,
I bend my body to the spade
Or grope with a dirty hand.

An old ghost's thoughts are lightning,
To follow is to die;
Poetry and music I have banished,
But the stupidity
Of root, shoot, blossom or clay
Makes no demand.
I bend my body to the spade
Or grope with a dirty hand.

W.B.Yeats - THE OLD STONE CROSS

NEW POEMS

THE OLD STONE CROSS

A STATESMAN is an easy man,
He tells his lies by rote;
A journalist makes up his lies
And takes you by the throat;
So stay at home' and drink your beer
And let the neighbours' vote,
i{Said the man in the golden breastplate
Under the old stone Cross.}

Because this age and the next age
Engender in the ditch,
No man can know a happy man
From any passing wretch;
If Folly link with Elegance
No man knows which is which,
i{Said the man in the golden breastplate
Under the old stone Cross.}

But actors lacking music
Do most excite my spleen,
They say it is more human
To shuffle, grunt and groan,
Not knowing what unearthly stuff
Rounds a mighty scene,
i{Said the man in the golden breastplate
Under the old stone Cross.}

W.B.Yeats - A MODEL FOR

NEW POEMS

A MODEL FOR THE LAUREATE

ON thrones from China to Peru
All sorts of kings have sat
That men and women of all sorts
Proclaimed both good and great;
And what's the odds if such as these
For reason of the State
Should keep their lovers waiting,
Keep their lovers waiting.

Some boast of beggar-kings and kings
Of rascals black and white
That rule because a strong right arm
Puts all men in a fright,
And drunk or sober live at ease
Where none gainsay their right,
And keep their lovers waiting,
Keep their lovers waiting.

The Muse is mute when public men
Applaud a modern throne:
Those cheers that can be bought or sold,
That office fools have run,
That waxen seal, that signature.
For things like these what decent man
Would keep his lover waiting,
Keep his lover waiting?

W.B.Yeats - COLONEL MARTIN

NEW POEMS

COLONEL MARTIN

I
THE Colonel went out sailing,
He spoke with Turk and Jew,
With Christian and with Infidel,
For all tongues he knew.
'O what's a wifeless man?' said he,
And he came sailing home.
He rose the latch and went upstairs
And found an empty room.
i{The Colonel went out sailing.}

II
'I kept her much in the country
And she was much alone,
And though she may be there,' he said,
'She may be in the town.
She may be all alone there,
For who can say?' he said.
'I think that I shall find her
In a young man's bed.'
i{The Colonel went out sailing.}

III
The Colonel met a pedlar,
Agreed their clothes to swop,
And bought the grandest jewelry
In a Galway shop,
Instead of thread and needle
put jewelry in the pack,
Bound a thong about his hand,
Hitched it on his back.
i{The Colonel went out sailing.}

IV
The Colonel knocked on the rich man's door,
'I am sorry,' said the maid,
'My mistress cannot see these things,
But she is still abed,
And never have I looked upon
Jewelry so grand.'
'Take all to your mistress,'
And he laid them on her hand.
i{The Colonel went out sailing.}

V
And he went in and she went on
And both climbed up the stair,
And O he was a clever man,
For he his slippers wore.
And when they came to the top stair
He ran on ahead,
His wife he found and the rich man
In the comfort of a bed.
i{The Colonel went out sailing.}

VI
The Judge at the Assize Court,
When he heard that story told,
Awarded him for damages
Three kegs of gold.
The Colonel said to Tom his man,
'Harness an ass and cart,
Carry the gold about the town,
Throw it in every part.'
i{The Colonel went out sailing.}

VII
And there at all street-corners
A man with a pistol stood,
And the rich man had paid them well
To shoot the Colonel dead;
But they threw down their pistols
And all men heard them swear
That they could never shoot a man
Did all that for the poor.
i{The Colonel went out sailing.}

VIII
'And did you keep no gold, Tom?
You had three kegs,' said he.
'I never thought of that, Sir.'
'Then want before you die.'
And want he did; for my own grand-dad
Saw the story's end,
And Tom make out a living
From the seaweed on the strand.
i{The Colonel went out sailing.}

W.B.YEATS - THE PILGRIM

NEW POEMS

THE PILGRIM

I FASTED for some forty days on bread and buttermilk,
For passing round the bottle with girls in rags or silk,
In country shawl or Paris cloak, had put my wits astray,
And what's the good of women, for all that they can say
Is fol de rol de rolly O.

Round Lough Derg's holy island I went upon the stones,
I prayed at all the Stations upon my marrow bones,
And there I found an old man, and though, I prayed all day
And that old man beside me, nothing would he say
But fol de rol de rolly O.

All know that all the dead in the world about that place are stuck,
And that should mother seek her son she'd have but little luck
Because the fires of purgatory have ate their shapes away;
I swear to God I questioned them, and all they had to say
Was fol de rol de rolly O.

A great black ragged bird appeared when I was in the boat;
Some twenty feet from tip to tip had it stretched rightly out,
With flopping and with flapping it made a great display,
But I never stopped to question, what could the boatman say
But fol de rol de rolly O.

Now I am in the public-house and lean upon the wall,
So come in rags or come in silk, in cloak or country shawl,
And come with learned lovers or with what men you may,
For I can put the whole lot down, and all I have to say
Is fol de rol de rolly O.

W.B.Yeats - A DRUNKEN MAN'S

NEW POEMS

A DRUNKEN MAN'S PRAISE OF SOBRIETY COME

swish around, my pretty punk, And keep me dancing still That I may stay a sober man Although I drink my fill. Sobriety is a jewel That I do much adore; And therefore keep me dancing Though drunkards lie and snore. O mind your feet, O mind your feet, Keep dancing like a wave, And under every dancer A dead man in his grave. No ups and downs, my pretty, A mermaid, not a punk; A drunkard is a dead man, And all dead men are drunk.

W.B.Yeats - THE SPUR YOU

NEW POEMS

THE SPUR YOU

think it horrible that lust and rage Should dance attention upon my old age; They were not such a plague when I was young; What else have I to spur me into song?

W.B.Yeats - WHAT WAS LOST

NEW POEMS

WHAT WAS LOST

I SING what was lost and dread what was won,
I walk in a battle fought over again,
My king a lost king, and lost soldiers my men;
Feet to the Rising and Setting may run,
They always beat on the same small stone.

W.B.Yeats - PARNELL

NEW POEMS

PARNELL

PARNELL came down the road, he said to a cheering man:
'Ireland shall get her freedom and you still break stone.'

W.B.Yeats - THE GREAT DAY

NEW POEMS

THE GREAT DAY

HURRAH for revolution and more cannon-shot!
A beggar upon horseback lashes a beggar on foot.
Hurrah for revolution and cannon come again!
The beggars have changed places, but the lash goes on.

W.B.Yeats - THE WILD OLD

NEW POEMS

THE WILD OLD WICKED MAN

BECAUSE I am mad about women
I am mad about the hills,'
Said that wild old wicked man
Who travels where God wills.
'Not to die on the straw at home.
Those hands to close these eyes,
That is all I ask, my dear,
From the old man in the skies.
i{Daybreak and a candle-end.}

'Kind are all your words, my dear,
Do not the rest withhold.
Who can know the year, my dear,
when an old man's blood grows cold? '
I have what no young man can have
Because he loves too much.
Words I have that can pierce the heart,
But what can he do but touch?'
i{Daybreak and a candle-end.}

Then Said she to that wild old man,
His stout stick under his hand,
'Love to give or to withhold
Is not at my command.
I gave it all to an older man:
That old man in the skies.
Hands that are busy with His beads
Can never close those eyes.'
i{Daybreak and a candle-end.}

'Go your ways, O go your ways,
I choose another mark,
Girls down on the seashore
Who understand the dark;
Bawdy talk for the fishermen;
A dance for the fisher-lads;
When dark hangs upon the water
They turn down their beds.
i{Daybreak and a candle-end.}

'A young man in the dark am I,
But a wild old man in the light,
That can make a cat laugh, or
Can touch by mother wit
Things hid in their marrow-bones
From time long passed away,
Hid from all those warty lads
That by their bodies lay.
i{Daybreak and a candle-end.}

'All men live in suffering,
I know as few can know,
Whether they take the upper road
Or stay content on the low,
Rower bent in his row-boat
Or weaver bent at his loom,
Horseman erect upon horseback
Or child hid in the womb.
i{Daybreak and a candle end.}

'That some stream of lightning
From the old man in the skies
Can burn out that suffering
No right-taught man denies.
But a coarse old man am I,
I choose the second-best,
I forget it all awhile
Upon a woman's breast.'
i{Daybreak and a candle end.}

W.B.Yeats - COME GATHER ROUND

NEW POEMS

COME GATHER ROUND ME PARNELLITES

COME gather round me Parnellites,
And praise our chosen man;
Stand upright on your legs awhile,
Stand upright while you can,
For soon we lie where he is laid,
And he is underground;
Come fill up all those glasses
And pass the bottle round.

And here's a cogent reason,
And I have many more,
He fought the might of England
And saved the Irish poor,
Whatever good a farmer's got
He brought it all to pass;
And here's another reason,
That Parnell loved a lass.

And here's a final reason,
He was of such a kind
Every man that sings a song
Keeps Parnell in his mind.
For Parnell was a proud man,
No prouder trod the ground,
And a proud man's a lovely man,
So pass the bottle round.

The Bishops and the party
That tragic story made,
A husband that had sold his wife
And after that betrayed;
But stories that live longest
Are sung above the glass,
And Parnell loved his country
And Parnell loved his lass.

W.B.Yeats - THE O'RAHILLY

NEW POEMS

THE O'RAHILLY

SING of the O'Rahilly,
Do not deny his right;
Sing a 'the' before his name;
Allow that he, despite
All those learned historians,
Established it for good;
He wrote out that word himself,
He christened himself with blood.
i{How goes the weather?}

Sing of the O'Rahilly
That had such little sense
He told Pearse and Connolly
He'd gone to great expense
Keeping all the Kerry men
Out of that crazy fight;
That he might be there himself
Had travelled half the night.
i{How goes the weather?}

'Am I such a craven that
I should not get the word
But for what some travelling man
Had heard I had not heard?'
Then on Pearse and Connolly
He fixed a bitter look:
'Because I helped to wind the clock
I come to hear it strike.'
i{How goes the weather?}

What remains to sing about
But of the death he met
Stretched under a doorway
Somewhere off Henry Street;
They that found him found upon
The door above his head
'Here died the O'Rahilly.
R.I.P.' writ in blood.
i{How goes the weather.?}

W.B.Yeats - THE GHOST OF ROGER

NEW POEMS

THE GHOST OF ROGER CASEMENT

O WHAT has made that sudden noise?
What on the threshold stands?
It never crossed the sea because
John Bull and the sea are friends;
But this is not the old sea
Nor this the old seashore.
What gave that roar of mockery,
That roar in the sea's roar?

i{The ghost of Roger Casement}
i{Is beating on the door.}

John Bull has stood for Parliament,
A dog must have his day,
The country thinks no end of him,
For he knows how to say,
At a beanfeast or a banquet,
That all must hang their trust
Upon the British Empire,
Upon the Church of Christ.

i{The ghost of Roger Casement}
i{Is beating on the door.}

John Bull has gone to India
And all must pay him heed,
For histories are there to prove
That none of another breed
Has had a like inheritance,
Or sucked such milk as he,
And there's no luck about a house
If it lack honesty.

i{The ghost of Roger Casement}
i{Is beating on the door.}

I poked about a village church
And found his family tomb
And copied out what I could read
In that religious gloom;
Found many a famous man there;
But fame and virtue rot.
Draw round, beloved and bitter men,
Draw round and raise a shout;

i{The ghost of Roger Casement}
i{Is beating on the door.}

W.B.Yeats - ROGER CASEMENT

NEW POEMS

ROGER CASEMENT

I SAY that Roger Casement
Did what he had to do.
He died upon the gallows,
But that is nothing new.

Afraid they might be beaten
Before the bench of Time,
They turned a trick by forgery
And blackened his good name.

A perjurer stood ready
To prove their forgery true;
They gave it out to all the world,
And that is something new;

For Spring Rice had to whisper it,
Being their Ambassador,
And then the speakers got it
And writers by the score.

Come Tom and Dick, come all the troop
That cried it far and wide,
Come from the forger and his desk,
Desert the perjurer's side;

Come speak your bit in public
That some amends be made
To this most gallant gentleman
That is in quicklime laid.

W.B.Yeats - THE CURSE OF CROMWELL

NEW POEMS

THE CURSE OF CROMWELL

YOU ask what -- I have found, and far and wide I go:
Nothing but Cromwell's house and Cromwell's murderous crew,
The lovers and the dancers are beaten into the clay,
And the tall men and the swordsmen and the horsemen, where are they?
And there is an old beggar wandering in his pride -- -
His fathers served their fathers before Christ was crucified.
i{O what of that, O what of that,}
'i{What is there left to say?}

All neighbourly content and easy talk are gone,
But there's no good complaining, for money's rant is on.
He that's mounting up must on his neighbour mount,
And we and all the Muses are things of no account.
They have schooling of their own, but I pass their schooling by,
What can they know that we know that know the time to die?
i{O what of that, O what of that,}
i{What is there left to say?}

But there's another knowledge that my heart destroys,
As the fox in the old fable destroyed the Spartan boy's
Because it proves that things both can and cannot be;
That the swordsmen and the ladies can still keep company,
Can pay the poet for a verse and hear the fiddle sound,
That I am still their servant though all are underground.
i{O what of that, O what of that,}
i{What is there left to say?}

I came on a great house in the middle of the night,
Its open lighted doorway and its windows all alight,
And all my friends were there and made me welcome too;
But I woke in an old ruin that the winds. howled through;
And when I pay attention I must out and walk
Among the dogs and horses that understand my talk.
i{O what of that, O what of that,}
i{What is there left to say?}

W.B.Yeats - TO DOROTHY WELLESLEY

NEW POEMS

TO DOROTHY WELLESLEY

STRETCH towards the moonless midnight of the trees,
As though that hand could reach to where they stand,
And they but famous old upholsteries
Delightful to the touch; tighten that hand
As though to draw them closer yet.

Rammed full
Of that most sensuous silence of the night
(For since the horizon's bought strange dogs are still)
Climb to your chamber full of books and wait,
No books upon the knee, and no one there
But a Great Dane that cannot bay the moon
And now lies sunk in sleep.

What climbs the stair?
Nothing that common women ponder on
If you are worth my hope! Neither Content
Nor satisfied Conscience, but that great family
Some ancient famous authors misrepresent,
The proud Furies each with her torch on high.

W.B.Yeats - A CRAZED GIRL

NEW POEMS

A CRAZED GIRL

THAT crazed girl improvising her music.
Her poetry, dancing upon the shore,
Her soul in division from itself
Climbing, falling she knew not where,
Hiding amid the cargo of a steamship,
Her knee-cap broken, that girl I declare
A beautiful lofty thing, or a thing
Heroically lost, heroically found.

No matter what disaster occurred
She stood in desperate music wound,
Wound, wound, and she made in her triumph
Where the bales and the baskets lay
No common intelligible sound
But sang, 'O sea-starved, hungry sea.'

W.B.Yeats - BEAUTIFUL LOFTY THINGS

NEW POEMS

BEAUTIFUL LOFTY THINGS

BEAUTIFUL lofty things: O'Leary's noble head;
My father upon the Abbey stage, before him a raging crowd:
'This Land of Saints,' and then as the applause died out,
'Of plaster Saints'; his beautiful mischievous head thrown back.
Standish O'Grady supporting himself between the tables
Speaking to a drunken audience high nonsensical words;
Augusta Gregory seated at her great ormolu table,
Her eightieth winter approaching: 'Yesterday he threatened my life.
I told him that nightly from six to seven I sat at this table,
The blinds drawn up'; Maud Gonne at Howth station waiting a train,
Pallas Athene in that straight back and arrogant head:
All the Olympians; a thing never known again.

W.B.Yeats - WHAT THEN?

NEW POEMS

WHAT THEN?

HIS chosen comrades thought at school
He must grow a famous man;
He thought the same and lived by rule,
All his twenties crammed with toil;
'i{What then?' sang Plato's ghost. 'what then?'}

Everything he wrote was read,
After certain years he won
Sufficient money for his need,
Friends that have been friends indeed;
'i{What then?' sang Plato's ghost. ' what then?'}

All his happier dreams came true --
A small old house, wife, daughter, son,
Grounds where plum and cabbage grew,
poets and Wits about him drew;
'i{What then.?' sang Plato's ghost. 'what then?'}

The work is done,' grown old he thought,
'According to my boyish plan;
Let the fools rage, I swerved in naught,
Something to perfection brought';
i{But louder sang that ghost, 'What then?'}

W.B.Yeats - AN ACRE OF GRASS

NEW POEMS

AN ACRE OF GRASS

PICTURE and book remain,
An acre of green grass
For air and exercise,
Now strength of body goes;
Midnight, an old house
Where nothing stirs but a mouse.

My temptation is quiet.
Here at life's end
Neither loose imagination,
Nor the mill of the mind
Consuming its rag and bone,
Can make the truth known.

Grant me an old man's frenzy,
Myself must I remake
Till I am Timon and Lear
Or that William Blake
Who beat upon the wall
Till Truth obeyed his call;

A mind Michael Angelo knew
That can pierce the clouds,
Or inspired by frenzy
Shake the dead in their shrouds;
Forgotten else by mankind,
An old man's eagle mind.

W.B.Yeats - THE CHAMBERMAID'S SECOND

NEW POEMS

THE CHAMBERMAID'S SECOND SONG

FROM pleasure of the bed,
Dull as a worm,
His rod and its butting head
Limp as a worm,
His spirit that has fled
Blind as a worm.

W.B.Yeats - THE CHAMBERMAID'S FIRST

NEW POEMS

THE CHAMBERMAID'S FIRST SONG HOW

came this ranger Now sunk in rest, Stranger with stranger, On my cold breast? What's left to sigh for? Strange night has come; God's love has hidden him Out of all harm, Pleasure has made him Weak as a worm.

W.B.Yeats - THE LOVER'S SONG

NEW POEMS

THE LOVER'S SONG

BIRD sighs for the air,
Thought for I know not where,
For the womb the seed sighs.
Now sinks the same rest
On mind, on nest,
On straining thighs.

W.B.Yeats - THE LADY'S THIRD SONG

NEW POEMS

THE LADY'S THIRD SONG

WHEN you and my true lover meet
And he plays tunes between your feet.
Speak no evil of the soul,
Nor think that body is the whole,
For I that am his daylight lady
Know worse evil of the body;
But in honour split his love
Till either neither have enough,
That I may hear if we should kiss
A contrapuntal serpent hiss,
You, should hand explore a thigh,
All the labouring heavens sigh.

W.B.Yeats - THE LADY'S SECOND SONG

NEW POEMS

THE LADY'S SECOND SONG

WHAT sort of man is coming
To lie between your feet?
What matter, we are but women.
Wash; make your body sweet;
I have cupboards of dried fragrance.
I can strew the sheet.
i{The Lord have mercy upon us.}

He shall love my soul as though
Body were not at all,
He shall love your body
Untroubled by the soul,
Love cram love's two divisions
Yet keep his substance whole.
i{The Lord have mercy upon us.}

Soul must learn a love that is
proper to my breast,
Limbs a Love in common
With every noble beast.
If soul may look and body touch,
Which is the more blest?
i{The Lord have mercy upon us.}

W.B.Yeats - THE LADY'S FIRST SONG

NEW POEMS

THE LADY'S FIRST SONG

I TURN round
Like a dumb beast in a show.
Neither know what I am
Nor where I go,
My language beaten
Into one name;
I am in love
And that is my shame.
What hurts the soul
My soul adores,
No better than a beast
Upon all fours.

W.B.Yeats - THE THREE BUSHES

NEW POEMS

THE THREE BUSHES

SAID lady once to lover,
'None can rely upon
A love that lacks its proper food;
And if your love were gone
How could you sing those songs of love?
I should be blamed, young man.'
i{O my dear, O my dear.}

'Have no lit candles in your room,'
That lovely lady said,
'That I at midnight by the clock
May creep into your bed,
For if I saw myself creep in
I think I should drop dead.'
i{O my dear, O my dear.}

'I love a man in secret,
Dear chambermaid,' said she.
'I know that I must drop down dead
If he stop loving me,
Yet what could I but drop down dead
If I lost my chastity?'
i{O my dear, O my dear.}

'So you must lie beside him
And let him think me there.
And maybe we are all the same
Where no candles are,
And maybe we are all the same
That strip the body bare.'
i{O my dear, O my dear.}

But no dogs barked, and midnights chimed,
And through the chime she'd say,
'That was a lucky thought of mine,
My lover. looked so gay';
But heaved a sigh if the chambermaid
Looked half asleep all day.
i{O my dear, O my dear.}

'No, not another song,' said he,
'Because my lady came
A year ago for the first time
At midnight to my room,
And I must lie between the sheets
When the clock begins to chime.'
i{O my dear, O my dear.}

'A laughing, crying, sacred song,
A leching song,' they said.
Did ever men hear such a song?
No, but that day they did.
Did ever man ride such a race?
No, not until he rode.
i{O my dear, O my dear.}

But when his horse had put its hoof
Into a rabbit-hole
He dropped upon his head and died.
His lady saw it all
And dropped and died thereon, for she
Loved him with her soul.
i{O my dear, O my dear.}

The chambermaid lived long, and took
Their graves into her charge,
And there two bushes planted
That when they had grown large
Seemed sprung from but a single root
So did their roses merge.
i{O my dear, O my dear.}

When she was old and dying,
The priest came where she was;
She made a full confession.
Long looked he in her face,
And O he was a good man
And understood her case.
O i{my dear, O my dear.}

He bade them take and bury her
Beside her lady's man,
And set a rose-tree on her grave,
And now none living can,
When they have plucked a rose there,
Know where its roots began.
O i{my dear, O my dear.}

W.B.Yeats - SWEET DANCER

NEW POEMS

SWEET DANCER

THE girl goes dancing there
On the leaf-sown, new-mown, smooth
Grass plot of the garden;
Escaped from bitter youth,
Escaped out of her crowd,
Or out of her black cloud.
Ah, dancer, ah, sweet dancer!

If strange men come from the house
To lead her away, do not say
That she is happy being crazy;
Lead them gently astray;
Let her finish her dance,
Let her finish her dance.
Ah, dancer, ah, sweet dancer.!

W.B.Yeats - IMITATED FROM

Parnell's Funeral and Other Poems

IMITATED FROM THE JAPANESE

A MOST astonishing thing --
Seventy years have I lived;

(Hurrah for the flowers of Spring,
For Spring is here again.)

Seventy years have I lived
No ragged beggar-man,
Seventy years have I lived,
Seventy years man and boy,
And never have I danced for joy.

W.B.Yeats - LAPIS LAZULI

Parnell's Funeral and Other Poems

LAPIS LAZULI

i{(For Harry Clifton)}

I HAVE heard that hysterical women say
They are sick of the palette and fiddle-bow.
Of poets that are always gay,
For everybody knows or else should know
That if nothing drastic is done
Aeroplane and Zeppelin will come out.
Pitch like King Billy bomb-balls in
Until the town lie beaten flat.

All perform their tragic play,
There struts Hamlet, there is Lear,
That's Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.

On their own feet they came, or On shipboard,'
Camel-back; horse-back, ass-back, mule-back,
Old civilisations put to the sword.
Then they and their wisdom went to rack:
No handiwork of Callimachus,
Who handled marble as if it were bronze,
Made draperies that seemed to rise
When sea-wind swept the corner, stands;
His long lamp-chimney shaped like the stem
Of a slender palm, stood but a day;
All things fall and are built again,
And those that build them again are gay.

Two Chinamen, behind them a third,
Are carved in Lapis Lazuli,
Over them flies a long-legged bird,
A symbol of longevity;
The third, doubtless a serving-man,
Carries a musical instrument.

Every discoloration of the stone,
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty slope where it still snows
Though doubtless plum or cherry-branch
Sweetens the little half-way house
Those Chinamen climb towards, and I
Delight to imagine them seated there;
There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies;
Accomplished fingers begin to play.
Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.

W.B.Yeats - THE GYRES

Parnell's Funeral and Other Poems

THE GYRES

THE GYRES! the gyres! Old Rocky Face, look forth;
Things thought too long can be no longer thought,
For beauty dies of beauty, worth of worth,
And ancient lineaments are blotted out.
Irrational streams of blood are staining earth;
Empedocles has thrown all things about;
Hector is dead and there's a light in Troy;
We that look on but laugh in tragic joy.

What matter though numb nightmare ride on top,
And blood and mire the sensitive body stain?
What matter? Heave no sigh, let no tear drop,
A-greater, a more gracious time has gone;
For painted forms or boxes of make-up
In ancient tombs I sighed, but not again;
What matter? Out of cavern comes a voice,
And all it knows is that one word 'Rejoice!'

Conduct and work grow coarse, and coarse the soul,
What matter? Those that Rocky Face holds dear,
Lovers of horses and of women, shall,
From marble of a broken sepulchre,
Or dark betwixt the polecat and the owl,
Or any rich, dark nothing disinter
The workman, noble and saint, and all things run
On that unfashionable gyre again.

W.B.Yeats - SUPERNATURAL SONGS

Parnell's Funeral and Other Poems

SUPERNATURAL SONGS

I. i{Ribb at the Tomb of Baile and Aillinn}

BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.

The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.

Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.


II. i{Ribb denounces Patrick}

An abstract Greek absurdity has crazed the man --
Recall that masculine Trinity. Man, woman, child (a daughter or a son),
That's how all natural or supernatural stories run.

Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead,
For things below are copies, the Great Smaragdine Tablet said.

Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the body or the mind,
That juggling nature mounts, her coil in their embraces twined.

The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air,
share God that is but three,
And could beget or bear themselves could they but
love as He.


III. i{Ribb in Ecstasy}

What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.


IV. i{There}

There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.


V. i{Ribb considers Christian Love insufficient}

Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.

Why do I hate man, woman Or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.

Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.

At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!


VI. i{He and She}

As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop'.

She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly'.
All creation shivers
With that sweet cry


VII. i{What Magic Drum?}

He holds him from desire, all but stops his breathing lest
Primordial Motherhood forsake his limbs, the child no longer rest,
Drinking joy as it were milk upon his breast.

Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?


VIII. i{Whence had they come?}

Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?


IX. i{The Four Ages of Man}

He with body waged a fight,
But body won; it walks upright.

Then he struggled with the heart;
Innocence and peace depart.

Then he struggled with the mind;
His proud heart he left behind.

Now his wars on God begin;
At stroke of midnight God shall win.


X. i{Conjunctions}

If Jupiter and Saturn meet,
What a cop of mummy wheat!

The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.


XI. i{A Needle's Eye}

All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.


XII. i{Meru}

Civilisation is hooped together, brought
Under a rule, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.

W.B.Yeats - CHURCH AND STATE

Parnell's Funeral and Other Poems

CHURCH AND STATE

HERE is fresh matter, poet,
Matter for old age meet;
Might of the Church and the State,
Their mobs put under their feet.
O but heart's wine shall run pure,
Mind's bread grow sweet.

That were a cowardly song,
Wander in dreams no more;
What if the Church and the State
Are the mob that howls at the door!
Wine shall run thick to the end,
Bread taste sour.

W.B.Yeats - A PRAYER FOR OLD AGE

Parnell's Funeral and Other Poems

A PRAYER FOR OLD AGE

GOD guard me from those thoughts men think
In the mind alone;
He that sings a lasting song
Thinks in a marrow-bone;

From all that makes a wise old man
That can be praised of all;
O what am I that I should not seem
For the song's sake a fool?

I pray -- for word is out
And prayer comes round again --
That I may seem, though I die old,
A foolish, passionate man.

W.B.Yeats - TWO SONGS REWRITTEN

Parnell's Funeral and Other Poems

TWO SONGS REWRITTEN FOR THE TUNE'S SAKE

I
My Paistin Finn is my sole desire,
And I am shrunken to skin and bone,
For all my heart has had for its hire
Is what I can whistle alone and alone.
i{Oro, oro.!}
i{Tomorrow night I will break down the door.}

What is the good of a man and he
Alone and alone, with a speckled shin?
I would that I drank with my love on my knee
Between two barrels at the inn.
i{Oro, oro.!}
i{To-morrow night I will break down the door.}

Alone and alone nine nights I lay
Between two bushes under the rain;
I thought to have whistled her down that
I whistled and whistled and whistled in vain.
i{Oro, oro!}
i{To-morrow night I will break down the door.}

II
I would that I were an old beggar
Rolling a blind pearl eye,
For he cannot see my lady
Go gallivanting by;

A dreary, dreepy beggar
Without a friend on the earth
But a thieving rascally cur --
O a beggar blind from his birth;

Or anything else but a rhymer
Without a thing in his head
But rhymes for a beautiful lady,
He rhyming alone in his bed.

W.B.Yeats - ALTERNATIVE SONG FOR

Parnell's Funeral and Other Poems

ALTERNATIVE SONG FOR THE SEVERED HEAD
IN 'THE KING OF THE GREAT CLOCK TOWER'

SADDLE and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
i{What says the Clock in the Great Clock Tower?}
All those tragic characters ride
But turn from Rosses' crawling tide,
The meet's upon the mountain-side.
i{A slow low note and an iron bell.}

What brought them there so far from their home.
Cuchulain that fought night long with the foam,
i{What says the Clock in the Great Clock Tower?}
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
i{A slow low note and an iron bell.}

Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
i{What says the Clock in the Great Clock Tower?}
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
i{A slow low note and an iron bell.}

W.B.Yeats - PARNELL'S FUNERAL

Parnell's Funeral and Other Poems

PARNELL'S FUNERAL

I
UNDER the Great Comedian's tomb the crowd.
A bundle of tempestuous cloud is blown
About the sky; where that is clear of cloud
Brightness remains; a brighter star shoots down;
What shudders run through all that animal blood?
What is this sacrifice? Can someone there
Recall the Cretan barb that pierced a star?

Rich foliage that the starlight glittered through,
A frenzied crowd, and where the branches sprang
A beautiful seated boy; a sacred bow;
A woman, and an arrow on a string;
A pierced boy, image of a star laid low.
That woman, the Great Mother imaging,
Cut out his heart. Some master of design
Stamped boy and tree upon Sicilian coin.

An age is the reversal of an age:
When strangers murdered Emmet, Fitzgerald, Tone,
We lived like men that watch a painted stage.
What matter for the scene, the scene once gone:
It had not touched our lives. But popular rage,
i{Hysterica passio} dragged this quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.

Come, fix upon me that accusing eye.
I thirst for accusation. All that was sung.
All that was said in Ireland is a lie
Bred out of the contagion of the throng,
Saving the rhyme rats hear before they die.
Leave nothing but the nothings that belong
To this bare soul, let all men judge that can
Whether it be an animal or a man.

II
The rest I pass, one sentence I unsay.
Had de Valera eaten Parnell's heart
No loose-lipped demagogue had won the day.
No civil rancour torn the land apart.

Had Cosgrave eaten Parnell's heart, the land's
Imagination had been satisfied,
Or lacking that, government in such hands.
O'Higgins its sole statesman had not died.

Had even O'Duffy -- but I name no more --
Their school a crowd, his master solitude;
Through Jonathan Swift's dark grove he passed, and there
plucked bitter wisdom that enriched his blood.

W.B.Yeats - A WOMAN YOUNG

The Winding Stairs and Other Poems

A WOMAN YOUNG AND OLD

I. FATHER AND CHILD

SHE hears me strike the board and say
That she is under ban
Of all good men and women,
Being mentioned with a man
That has the worst of all bad names;
And thereupon replies
That his hair is beautiful,
Cold as the March wind his eyes.


II. BEFORE THE WORLD WAS MADE

IF I make the lashes dark
And the eyes more bright
And the lips more scarlet,
Or ask if all be right
From mirror after mirror,
No vanity's displayed:
I'm looking for the face I had
Before the world was made.

What if I look upon a man
As though on my beloved,
And my blood be cold the while
And my heart unmoved?
Why should he think me cruel
Or that he is betrayed?
I'd have him love the thing that was
Before the world was made.


III. A FIRST CONFESSION

I ADMIT the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.

I long for truth, and yet
I cannot stay from that
My better self disowns,
For a man's attention
Brings such satisfaction
To the craving in my bones.

Brightness that I pull back
From the Zodiac,
Why those questioning eyes
That are fixed upon me?
What can they do but shun me
If empty night replies?


IV. HER TRIUMPH

I DID the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.


V. CONSOLATION

O BUT there is wisdom
In what the sages said;
But stretch that body for a while
And lay down that head
Till I have told the sages
Where man is comforted.

How could passion run so deep
Had I never thought
That the crime of being born
Blackens all our lot?
But where the crime's committed
The crime can be forgot.


VI. CHOSEN

THE lot of love is chosen. I learnt that much
Struggling for an image on the track
Of the whirling Zodiac.
Scarce did he my body touch,
Scarce sank he from the west
Or found a subterranean rest
On the maternal midnight of my breast
Before I had marked him on his northern way,
And seemed to stand although in bed I lay.

I struggled with the horror of daybreak,
I chose it for my lot! If questioned on
My utmost pleasure with a man
By some new-married bride, I take
That stillness for a theme
Where his heart my heart did seem
And both adrift on the miraculous stream
Where -- wrote a learned astrologer --
The Zodiac is changed into a sphere.


VII. PARTING
i{He.} Dear, I must be gone
While night Shuts the eyes
Of the household spies;
That song announces dawn.

i{She.} No, night's bird and love's
Bids all true lovers rest,
While his loud song reproves
The murderous stealth of day.

i{He.} Daylight already flies
From mountain crest to crest

i{She.} That light is from the moon.

i{He.} That bird...

i{She.} Let him sing on,
I offer to love's play
My dark declivities.


VIII. HER VISION IN THE WOOD

DRY timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men. Imagining that I could
A greater with a lesser pang assuage
Or but to find if withered vein ran blood,
I tore my body that its wine might cover
Whatever could recall the lip of lover.

And after that I held my fingers up,
Stared at the wine-dark nail, or dark that ran
Down every withered finger from the top;
But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.

All stately women moving to a song
With loosened hair or foreheads grief-distraught,
It seemed a Quattrocento painter's throng,
A thoughtless image of Mantegna's thought --
Why should they think that are for ever young?
Till suddenly in grief's contagion caught,
I stared upon his blood-bedabbled breast
And sang my malediction with the rest.

That thing all blood and mire, that beast-torn wreck,
Half turned and fixed a glazing eye on mine,
And, though love's bitter-sweet had all come back,
Those bodies from a picture or a coin
Nor saw my body fall nor heard it shriek,
Nor knew, drunken with singing as with wine,
That they had brought no fabulous symbol there
But my heart's victim and its torturer.


IX. A LAST CONFESSION

WHAT lively lad most pleasured me
Of all that with me lay?
I answer that I gave my soul
And loved in misery,
But had great pleasure with a lad
That I loved bodily.

Flinging from his arms I laughed
To think his passion such
He fancied that I gave a soul
Did but our bodies touch,
And laughed upon his breast to think
Beast gave beast as much.

I gave what other women gave
'That stepped out of their clothes.
But when this soul, its body off,
Naked to naked goes,
He it has found shall find therein
What none other knows,

And give his own and take his own
And rule in his own right;
And though it loved in misery
Close and cling so tight,
There's not a bird of day that dare
Extinguish that delight.


X. MEETING

HIDDEN by old age awhile
In masker's cloak and hood,
Each hating what the other loved,
Face to face we stood:
'That I have met with such,' said he,
'Bodes me little good.'

'Let others boast their fill,' said I,
'But never dare to boast
That such as I had such a man
For lover in the past;
Say that of living men I hate
Such a man the most.'

'A loony'd boast of such a love,'
He in his rage declared:
But such as he for such as me --
Could we both discard
This beggarly habiliment --
Had found a sweeter word.


XI. FROM THE 'ANTIGONE'

OVERCOME -- O bitter sweetness,
Inhabitant of the soft cheek of a girl --
The rich man and his affairs,
The fat flocks and the fields' fatness,
Mariners, rough harvesters;
Overcome Gods upon Parnassus;

Overcome the Empyrean; hurl
Heaven and Earth out of their places,
That in the Same calamity
Brother and brother, friend and friend,
Family and family,
City and city may contend,
By that great glory driven wild.

Pray I will and sing I must,
And yet I weep -- Oedipus' child
Descends into the loveless dust.

W.B.Yeats - WORDS FOR MUSIC

The Winding Stairs and Other Poems

WORDS FOR MUSIC PERHAPS

I - CRAZY JANE AND THE BISHOP

BRING me to the blasted oak
That I, midnight upon the stroke,
i{(All find safety in the tomb.)}
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
i{The solid man and the coxcomb.}

Nor was he Bishop when his ban
Banished Jack the Journeyman,
i{(All find safety in the tomb.)}
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
i{The solid man and the coxcomb.}

The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
i{(All find safety in the tomb.)}
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
i{The solid man and the coxcomb.}

Jack had my virginity,
And bids me to the oak, for he
i{(all find safety in the tomb.})
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
i{The solid man and the coxcomb.}


II - CRAZY JANE REPROVED

I CARE not what the sailors say:
All those dreadful thunder-stones,
All that storm that blots the day
Can but show that Heaven yawns;
Great Europa played the fool
That changed a lover for a bull.
i{Fol de rol, fol de rol.}

To round that shell's elaborate whorl,
Adorning every secret track
With the delicate mother-of-pearl,
Made the joints of Heaven crack:
So never hang your heart upon
A roaring, ranting journeyman.
i{Fol de rol, fol de rol.}


III - CRAZY JANE ON THE DAY OF JUDGMENT

'LOVE is all
Unsatisfied
That cannot take the whole
Body and soul';
i{And that is what Jane said.}

'Take the sour
If you take me
I can scoff and lour
And scold for an hour.'
i{'That's certainly the case,' said he.}

'Naked I lay,
The grass my bed;
Naked and hidden away,
That black day';
i{And that is what Jane said.}

'What can be shown?
What true love be?
All could be known or shown
If Time were but gone.'
i{'That's certainly the case,' said he.}


IV - CRAZY JANE AND JACK THE JOURNEYMAN

I KNOW, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.

A lonely ghost the ghost is
That to God shall come;
I -- love's skein upon the ground,
My body in the tomb --
Shall leap into the light lost
In my mother's womb.

But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.


V - CRAZY JANE ON GOD

THAT lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
i{All things remain in God.}

Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:
i{All things remain in God.}

Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
i{All things remain in God.}

I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
i{All things remain in God.}


VI - CRAZY JANE TALKS WITH THE BISHOP

I MET the Bishop on the road
And much said he and I.
'Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'

'Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.

'A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'


VII - CRAZY JANE GROWN OLD LOOKS AT THE DANCERS

I FOUND that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
i{Love is like the lion's tooth.}

When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
i{Love is like the lion's tooth.}

Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced --
i{Love is like the lion's tooth.}


VIII - GIRL'S SONG

I WENT out alone
To sing a song or two,
My fancy on a man,
And you know who.

Another came in sight
That on a stick relied
To hold himself upright;
I sat and cried.

And that was all my song --
When everything is told,
Saw I an old man young
Or young man old?


IX - YOUNG MAN'S SONG

'SHE will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:

'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'

Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.


X - HER ANXIETY

EARTH in beauty dressed
Awaits returning spring.
All true love must die,
Alter at the best
Into some lesser thing.
i{Prove that I lie.}

Such body lovers have,
Such exacting breath,
That they touch or sigh.
Every touch they give,
Love is nearer death.
i{Prove that I lie.}


XI - HIS CONFIDENCE

UNDYING love to buy
I wrote upon
The corners of this eye
All wrongs done.
What payment were enough
For undying love?

I broke my heart in two
So hard I struck.
What matter? for I know
That out of rock,
Out of a desolate source,
Love leaps upon its course.


XII - LOVE'S LONELINESS

OLD fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.

The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.


XIII - HER DREAM

I DREAMED as in my bed I lay,
All night's fathomless wisdom come,
That I had shorn my locks away
And laid them on Love's lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice's burning hair.


XIV - HIS BARGAIN

WHO talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,
Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.


XV - THREE THINGS

'O CRUEL Death, give three things back,'
i{Sang a bone upon the shore;}
'A child found all a child can lack,
Whether of pleasure or of rest,
Upon the abundance of my breast':
i{A bone wave-whitened and dried in the wind.}

'Three dear things that women know,'
i{Sang a bone upon the shore;}
'A man if I but held him so
When my body was alive
Found all the pleasure that life gave':
i{A bone wave-whitened and dried in the wind.}

'The third thing that I think of yet,'
i{Sang a bone upon the shore,}
'Is that morning when I met
Face to face my rightful man
And did after stretch and yawn':
i{A bone wave-whitened and dried in the wind.}


XVI - LULLABY

BELOVED, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?

Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;

Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.


XVII - AFTER LONG SILENCE

SPEECH after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.


XVIII - MAD AS THE MIST AND SNOW

BOLT and bar the shutter,
For the foul winds blow:
Our minds are at their best this night,
And I seem to know
That everything outside us is
i{Mad as the mist and snow.}

Horace there by Homer stands,
Plato stands below,
And here is Tully's open page.
How many years ago
Were you and I unlettered lads
i{Mad as the mist and snow?}

You ask what makes me sigh, old friend,
What makes me shudder so?
I shudder and I sigh to think
That even Cicero
And many-minded Homer were
i{Mad as the mist and snow.}


XIX - THOSE DANCING DAYS ARE GONE

COME, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
i{I carry the sun in a golden cup.}
i{The moon in a silver bag.}

Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
i{I carry the sun in a golden cup.}
i{The moon in a silver bag.}

I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
i{I carry the sun in a golden cup,}
i{The moon in a silver bag.}


XX - 'I AM OF IRELAND'

i{ AM of Ireland,}
i{And the Holy Land of Ireland,}
i{And time runs on,' cried she.}
i{'Come out of charity,}
i{Come dance with me in Ireland.'}

One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'

i{I am of Ireland,}
i{And the Holy Land of Ireland,}
i{And time runs on,' cried she.}
i{'Come out of charity}
i{And dance with me in Ireland.'}

The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'

i{I am of Ireland,}
i{And the Holy Land of Ireland,}
i{And time runs on,' cried she.}
i{'Come out of charity}
i{And dance with me in Ireland.'}


XXI - THE DANCER AT CRUACHAN AND CRO-PATRICK

I, PROCLAIMING that there is
Among birds or beasts or men
One that is perfect or at peace.
Danced on Cruachan's windy plain,
Upon Cro-Patrick sang aloud;
All that could run or leap or swim
Whether in wood, water or cloud,
Acclaiming, proclaiming, declaiming Him.


XXII - TOM THE LUNATIC

SANG old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had s-o keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?

'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.

'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye
In all the vigour of its blood;
In that faith I live or die.'


XXIII - TOM AT CRUACHAN

ON Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternity
Mounted the mare of Time,
'Gat the foal of the world.'


XXIV - OLD TOM AGAIN

THINGS out of perfection sail,
And all their swelling canvas wear,
Nor shall the self-begotten fail
Though fantastic men suppose
Building-yard and stormy shore,
Winding-sheet and swaddling -- clothes.


XXV - THE DELPHIC ORACLE UPON PLOTINUS

BEHOLD that great Plotinus swim,
Buffeted by such seas;
Bland Rhadamanthus beckons him,
But the Golden Race looks dim,
Salt blood blocks his eyes.
Scattered on the level grass
Or winding through the grove
Plato there and Minos pass,
There stately Pythagoras
And all the choir of Love.

W.B.Yeats - STREAM AND SUN

The Winding Stairs and Other Poems

STREAM AND SUN AT GLENDALOUGH

THROUGH intricate motions ran
Stream and gliding sun
And all my heart seemed gay:
Some stupid thing that I had done
Made my attention stray.

Repentance keeps my heart impure;
But what am I that dare
Fancy that I can
Better conduct myself or have more
Sense than a common man?

What motion of the sun or stream
Or eyelid shot the gleam
That pierced my body through?
What made me live like these that seem
Self-born, born anew?

W.B.Yeats - REMORSE FOR INTEMPERATE

The Winding Stairs and Other Poems

REMORSE FOR INTEMPERATE SPEECH

I RANTED to the knave and fool,
But outgrew that school,
Would transform the part,
Fit audience found, but cannot rule
My fanatic heart.

I sought my betters: though in each
Fine manners, liberal speech,
Turn hatred into sport,
Nothing said or done can reach
My fanatic heart.

Out of Ireland have we come.
Great hatred, little room,
Maimed us at the start.
I carry from my mother's womb
A fanatic heart.

W.B.Yeats - GRATITUDE TO

The Winding Stairs and Other Poems

GRATITUDE TO THE UNKNOWN INSTRUCTORS WHAT

they undertook to do They brought to pass; All things hang like a drop of dew Upon a blade of grass.